Washington File 21 December 2000 President Hails 24 for Contributions to Arts, Humanities (Presented National Medals at ceremony December 20) (1670) By Michael J. Bandler Washington File Cultural Correspondent They write the poems and novels that engage audiences of diverse ages. They create works of art that adorn the nation's public places and fill its museums. They play or write music that appeals to popular or classical tastes. They offer historical and social perspectives that shape people's breadth of knowledge and opinions. And if they don't perform or write works themselves, ultimately they create the atmosphere, and provide the resources, that enable others to do so, thereby enhancing culture in the United States. This was the type of imagination, activism and beneficence President Clinton celebrated December 20 when he presented the National Medal of Arts and the National Humanities Medal to 23 men and women and one broadcast organization whose roles have been inexorably shaped by the challenges and possibilities of culture, and who, in turn, have transmitted those values to millions of people in the United States and in other countries. The honorees included such internationally-known figures as writers Toni Morrison and Maya Angelou, country music star Eddy Arnold, jazz musician Benny Carter and classical violinist Itzhak Perlman, composer-arranger Quincy Jones, artists Chuck Close and Claes Oldenburg, dancer-choreographer Mikhail Baryshnikov, Broadway producer-director Harold Prince and singer-actress-director Barbra Streisand. Honored, too, were Chicago arts patron and collector Lewis Manilow and the cultural programming division of National Public Radio. For arts medalist Angelou, the event was as singularly bittersweet as it was enthralling. She was present during the first minutes of the Clinton Administration - at the first inaugural in January 1993 - reading a poem, On the Pulse of Morning, which she wrote for the occasion. Now she was being honored during Clinton's final weeks in office. She suggested, in a conversation after the ceremony, that the two events represented "bookends, a closure" of sorts. For his part, the President thanked Angelou - novelist, poet, essayist and film director - for "offering us always the raw truth and the eloquence of hope," and for showing the world "the redemptive healing power of art." On a day marked by tributes not only to the Medal recipients but also to youth involved in arts projects and designers of public buildings and monuments, the President stressed, at the ceremony, that the arts and humanities "bring us together, by making us more self-aware and more human," and, as a result, "make us more likely to understand our neighbors and to be better neighbors ourselves." Clinton dappled his personal remarks to the Medal honorees with comments reflecting this theme of interdependence and community. For example, he pointed to sociologist Robert N. Bellah, a winner of the humanities medal, as someone who "understands the tension between two of America's core values, individuality and community," and who has pointed out, at "some very difficult periods in our nation's life ... that for all our enshrinement of individuality, we can never make the most of our individual lives unless we first are devoted to our shared community." In that same vein, he described novelist Barbara Kingsolver, also a humanities honoree, as someone who "writes with beauty and wisdom about the ethnic and cultural divides that challenge humanity," adding that "she offers in novels and essays a compelling vision of how they might be healed." Above all, he continued, "she reminds us of the value of hope, telling us not to admire it from a distance, but to live right in it, under its roof." Noting the tireless efforts of leading civic activist and philanthropist Herman Guerrero "to preserve and promote the rich history and culture" of the Northern Mariana Islands, the President expressed appreciation to the humanities medalist "for raising the hopes and dreams of his people." Similarly, he underscored musician Jones' specific humanitarian work - from the Los Angeles inner city to South Africa - "to uplift and inspire young people," and praised African American novelist Ernest J. Gaines - author of such works as The Autobiography of Miss Jane Pittman - for teaching people, through his writings, "that the human spirit cannot be contained within the boundaries of race or class." In that same vein, Clinton pointed to the work of Lakota Sioux novelist, folklorist and teacher Virginia Driving Hawk Sneve, honored with a humanities medal, who "has devoted the past three decades to educating children and others about Native American culture, to breaking down stereotypes and replacing them with knowledge and understanding." In their comments, both the President and First Lady Hillary Rodham Clinton reflected on the personal pleasure they have derived from these annual tributes because of their affinity for so many of the artists. Besides the writings of Kingsolver, humanities medalist Toni Morrison's fiction - which Clinton described as "powerful, unflinching and beautiful" - is another favorite in their household. The President's first encounter with the country singing of arts medalist Eddy Arnold came as a young boy, growing up in a home with a radio but no television. And humanities medalist David C. Driskell, an art scholar and curator, endeared himself to the Clintons by helping to bring the first work by an African American artist - Henry Ossawa Tanner's Sand Dunes at Sunset, Atlantic City, to the White House collection. Particularly because of his roots in the U.S. South and Arkansas, Clinton has clear links to another humanities medalist, civil rights activist Will D. Campbell - who escorted the original nine black students into Little Rock (Arkansas) Central High School, one of the defining moments of the desegregation era of the late 1950s. And, as a native of a small town, he has ties to the "magnificent" dramas, novels and screenplays of arts medalist Horton Foote, which, the President emphasized, are "rooted in the tales, the troubles, the heartbreak and the hopes of all he heard and saw" in small-town Texas - stories "of family, community and the triumph of the human spirit." The President took special delight in identifying the uncommon characteristics of each of the honorees, among them three arts medalists. For Russian-born Baryshnikov, whose 1974 flight to freedom riveted the world, it is "his bold forays into new forms" and for taking risks. The "ambiguity" of painter Chuck Close's oeuvre is what "makes his art so powerful, so interesting, so clearly a reflection of life itself," Clinton observed. As for Claes Oldenburg's "monuments to the mundane," Clinton - citing a towering clothes pin in a Philadelphia plaza, a massive matchbook on a Barcelona hillside and a bicycle buried in a Paris park - observed that this artist "has brought a welcome sense of whimsy to our public places." Acknowledging several arts medal recipients from different musical fields, the President marveled how 93-year-old jazz artist Carter has "miraculously continued to compose, arrange, teach and perform music that speaks to the human soul," in a life that is "a great riff to the human spirit." Pointing to Perlman's "sheer energy, courage and happiness with which he has embraced life, without pity or regret," Clinton added that the well-traveled violinist's music-making "for the sheer joy of it reminds us that pure beauty can help us all to transcend ourselves and our differences." In discussing Prince's accomplishments on stage and in the operatic world, the President simply mentioned three of the director's successes - West Side Story, Fiddler on the Roof and Phantom of the Opera. And describing Streisand as "a singular presence" on stage, screen and in the director's chair, in musicals, comedy and drama, noting her "capacity to touch the deepest chords of our being," he cited her "great mind, enormous creative capacity, huge heart and the voice of a generation." A number of this year's humanities medalists defy categorization, and Clinton emphasized their unique achievements: -- Judy Crichton, documentary filmmaker and producer, and daughter of a pioneer television network producer, created the prestigious American Experience series on U.S. public television, and in the process, "has elevated a medium she loves and lifted all those who watch it." -- Edmund S. Morgan, retired Yale University historian, an authority on Puritan and American colonial history, and author of a number of prizewinning volumes, has enabled scholars and general readers to savor "his clear writing, clear thinking and his knack for the human touch, the anecdote or detail that brings history alive for every reader." -- Earl Shorris is creator of an experimental, no-charge eight-month college course in the humanities aimed at transforming the lives of the disadvantaged through education in this field of study. Open to students ages 18 to 35, it reflects the fact that, in the President's words, "the humanities mean the most as a part of people's daily lives, not locked away in some ivory tower or secret closet." -- The cultural programming division of National Public Radio, which, for three decades, has offered listeners everything from advice on how to maintain their automobiles to discussions and presentations of grand opera. "We are a better, more humane nation," the President said, thanks to NPR's examination, "with wit and wisdom, the myriad facets of the human condition, our national life and the state of the world." -- Lewis Manilow founded the Museum of Contemporary Art in Chicago, and also spearheaded the rebirth of the historic theater district in the city's "Loop," or center sector. Recalling President Franklin D. Roosevelt's comment that "the conditions for art and democracy are one," Clinton observed that Manilow "has spent his entire life creating those conditions." At day's end, at a dinner honoring the medalists, the President recalled to the "special feeling" he has for the arts and humanities. "In politics, we are always concerned with the moment, and trying to win the moment for the American people," he told the recipients. "But in the end, those things that are timeless matter more. And that is what all of you have given us." 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